Contributors

phil_minton 149dominiclashforwebsite

Sin Podium will feature a performance of improvised music by Phil Minton (voice) and Dominic Lash (double bass).

Presentations will also be made by:

S. E. Barnet is currently pursuing a PhD in fine art practice at Kingston  University. Prior to that she was Assistant Professor for Fine Arts at Otis College of Art and Design in Los Angeles, California. Her photographs, drawings, media works and installations have been exhibited at the J. Paul Getty Museum and The Museum of Contemporary Art in Los Angeles, the ICA in London, and the American Academy in Rome. As well, she has contributed writing to MIT’s Leonardo Journal and illustrations and writing to three projects published by Verse Chorus Press. She is represented by deSoto Gallery in Los Angeles and has recently exhibited new work at Five Years Gallery in London.

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Claire Makhlouf Carter is a PhD student at the Royal College of Art. She has recently exhibited at Café Gallery Acts/Actions 2007/2008, George Polke Gallery DEMO 2 2008, RCA Seminar Rooms GOB 2008, RCA Media Suite SHOO 2007  UH Galleries St Albans Flock 2006. Represented by Hales Gallery 1997-2001 and Dorothée De Pauw Gallery Brussels 1999-2001. Ilustrations/Reviews include Counter Catalogue, Malcolm Quinn 2001, Slimvolume Publication Andrew Hunt 2001 Girl The New Art Gallery Walsall, Angela Kingston 2000, History:The Mag Collection: Image based Art in Britain in the late Twentieth Century Melissa Larner (ed) 1997. Louisa Buck Moving Targets: User’s Guide, British Art Now 1997. Mark Currah Time Out (Sep) 1997.

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Cinzia Cremona is currently working towards a PhD at the University of Westminster, on video performance and how moving image works establish relationships. She is a member of the Experimental Media Research Group, and a co-curator of Visions in the Nunnery, a yearly international moving  image exhibition (www.openvisions.org).

Since 2007 Cinzia Cremona has been a core member of Critical Practice, a research cluster hosted by Chelsea College of Art and Design (www.criticalpracticechelsea.org). Her photographic and moving image work has been exhibited internationally.

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Emma Hart is an artist working with video and live art actions. She is in her first year of a PhD in fine art practice at Kingston University. Hart is London based and performs and exhibits video, film and live art internationally. This year she completed a solo residency for Camden Arts Centre. In 2008 exhibitions included Rules and Regs , Brown Mountain Festival and a performance with Benedict Drew in Nought to Sixty, ICA London, 2008. She also recorded The Emma Hart Biennale 2, a 14 week radio series on Resonance FM.  In 2007 she displayed an installation at Late at Tate Britain, and took part in I can’t live without, a group show at The Showroom, London.
http://www.emmahart.info

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Anne Latto is a mature student at the University of Reading with a history of practical application and academic achievement in theatre, film and storytelling. Academically, her studies include theatre practice; the role of voice-over in film; and an exploration of the evolutionary origins and functions of storytelling. Her theatre training spans both traditional and physical theatre practice and she has worked non-professionally for many years as an actor, theatre director and oral storyteller. In her current PhD she is exploring the process, performance and reception of oral storytelling in live performances.

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Zoë Mendelson’s practice is multi-disciplinary with relationships sustained between temporal and perennial supports. She makes drawing, collage, performance and site-specific installation often implicating defunct analogue machinery. Recent work concerns the coincidence in time and space of psychoanalytical thought and Modernist proposals towards an end to embellishment.

Group shows have included Fondation Cartier, Paris (2005), Chapter, Cardiff (2006) and CRAC, Alsace (2008). Solo shows in public galleries have included Collections de Saint Cyprien (2008) and Galerie Edouard Manet Gennevilliers (2008).

Zoë Mendelson graduated from Chelsea in 1998 and the Royal College of Art in 2000. She lectures on BA Fine Art at Central St. Martins and Wimbledon.

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Katrina Palmer is currently undertaking a PhD in sculpture at the Royal College of Art from where she gained an M.A. in 2006.  She has a B.A. in Fine Art from Central Saint Martins and B.A. in Philosophy with English Literature from the University of Sussex.  Recent shows include Contained, The Hiscox Gallery, 2007; Acts and Actions, Café Gallery Projects, 2008; Two, George Polke, 2008; and Gob, Seminar Rooms, Royal College of Art, 2008.   Her short story Spoiled Woolly Stuffing was published in Schoen and Cook ed., Material, Issue1, 2008.

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Hephzibah Rendle-Short & Dino Alfier

Dino Alfier is pursuing a PhD research, at University of the Arts London, on the notion of attention proposed by the French philosopher Simone Weil and its relevance to the field of art practice. The title of his research is The Semethics of Simone Weil: Attention as Geometric Mean between the Existent and the Real.

Hephzibah Rendle-Short is a PhD candidate at the Royal College of Art and the title of her research is In pursuit of the lost object. In this research she aims to investigate the claim that Freud makes in his essay on Negation that to verify a thing, which we have already observed, we match the hallucination in the mind against the object in reality. That is to say the memory of the thing comes first and then we re-find it in reality.

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